Thursday, September 19, 2019
A Comparison of Hamlet and One Flew Over the Cuckoos Nest :: comparison compare contrast essays
      A Comparison of Hamlet and One Flew Over the Cuckoo's Nest           A Comparison of the Character Hamlet, of Shakespeare's Hamlet, and McMurphy  of One Flew Over the Cuckoo's Nest          It is suggested that in modern literature, the true element of tragedy     is not captured because the protagonist is often of the same social status  as     the audience, and therefor, his downfall is not tragic.  This opinion, I  find,     takes little consideration of the times in which we live.  Indeed, most  modern     plays and literature are not about monarchs and the main character is  often     equal to the common person; this, however, does not mean the plot is any  less     miserable nor the outcome any less wretched.  The first work I have  chosen     proves this fact.  One Flew Over the Cuckoo's Nest, a first novel by Ken  Kesey     published in 1962, is a contemporary tragedy describing the downfall of a     rigidly administered ward in a mental institution led by the rebellion of a  new     admission.  The work I have chosen to compare this novel to is the  classic play     by William Shakespeare, Hamlet.    There is an intimate  relationship between     these to works beyond that they are both tragedies; the protagonist in  each     lacks conventional hero qualities.  Both Hamlet and R.P.  McMurphy  in One Flew     Over the Cuckoo's Nest, can be defined as anti-heroes making these two  pieces     comparable for study.                 To examine the aspect of anti-heroes in  tragedy, and how this relates to     the characters of R.P.McMurphy and Hamlet, an analysis of the motivation of  each     is necessary.  Motivation is the source of all action, and only in this  area     these two characters similar to a traditional protagonist.  As the  character     himself evolves through the course of the plot, so do their motives.   Hamlet and     McMurphy begin at different points with different purposes, but soon meet  with a     common incentive.  For Hamlet, this initial impulse is derived from  his     embitterment towards his mother for remarrying so soon after his father's  death     and for selecting her late husband's brother Claudius, as her second  partner.     In a witty statement to his closest friend Horatio, he expresses his     indignation; "The funeral baked meats/ Did coldly furnish forth the  marriage     tables."  Entirely unrelated, is McMurphy's need to be "top man".  					    
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